A short horror film about a young woman who finds herself trapped and tormented by an entity from the great cosmos. She is forced to understand the miracles of childbirth.

Returning from the World Cup to his country, the winner of the diving competitions Afsal Deman learns that a military coup has taken place in his homeland. Having never been involved in politics before, the hero, having decided to fight the dictatorship, becomes a journalist. The film takes place in a small Asian country in the late 70s.

Images of moral panic, cult followings and the edges of madness from sex and death.

300 miles off the coast of North America, in the dark waters of the Atlantic Ocean, a group of ships have come together at the site of the Titanic. Experts from the United States, Great Britain, Canada and France have convened with one goal, to conduct the first full-scale investigation of the Titanic Disaster.

The Childlike Empress lies in limbo between life and death and the only hope for her kingdom lies in the ability of a young boy to transcend the boundaries of fantasy in this tale of myth and magic that is certain to capture the imagination. As young Bastian opens the pages of "The Neverending Story," he learns that the Childlike Princess is near death and Fantasia is in danger of falling prey to the Dark Princess Xayide. Soon falling through the written page and into a world beyond his wildest imagination, Bastian's alter ego Atreyu must enlist the help of his trusty sidekick Fly Girl and mischievous hucksters Rip Rowdy and Wexlerian if there is any hope of unlocking the mystery of the Southern Oracle and awakening the Childlike Empress to bring order back to Fantasia.

Salesman Edie Cameron experiences setbacks in his work and personal life.

In Mirai (The Abyss), Gabriel Andrés De Simone works with striking economy, drawing on the visual and affective world of Ghost of Tsushima to shape a compact meditation on conscience under pressure. Beginning from a textual intervention, the film opens onto a reflection on what prolonged exposure to violence does to judgment, feeling, and moral resistance. Its brevity gives the work concentration. De Simone introduces friction into the game’s dramatic logic, shifting attention from action to aftertone, the emotional and ethical residue left once repetition has drained experience of its force. What happens when violence no longer registers as rupture but begins to organise the atmosphere of experience? Mirai (The Abyss) addresses that question with notable precision. Its mood is one of quiet corrosion. The work draws its force from restraint and from the sense that deeper forms of transformation often occur incrementally, through attrition. De Simone uses the game world to think through the dulling of response itself: the dangerous normalisation by which the intolerable becomes ordinary.

A coming-of-age tale of two boys trying to survive amidst rampant corruption and gang violence.

In 1970 a storm uncovers an ancient whaling village called Ozette which had been buried some 500 years ago by a massive mudslide. The resulting excavation brings new knowledge of the past important to both the Makah Indians, living on the Olympic Peninsula in Washington and for the historical record of Native Americans in the Pacific Northwest.